GWEN & ART ARE NOT IN LOVE

Frankly a delight.

A lively queer Camelot for modern audiences.

Several hundred years after the time of the fabled king Arthur Pendragon, Gwendoline and her older brother, Gabriel, are princess and prince of Camelot. Gwen has been betrothed since birth to Arthur Delacey, whose father’s family claims ancestry from Mordred. Gwen’s first problem with this arrangement is that she and Arthur hate each other. The second is revealed when Arthur comes to the royal castle for the summer tournament in which knights compete for renown—and Gwen catches him making out with a servant boy. But then Arthur obtains proof of Gwen’s obsession with Lady Bridget Leclair, England’s only female knight and a competitor in the tourney. Engaging in mutual blackmail, they form an understanding, though over the course of the summer it turns into an initially begrudging, then supportive friendship, especially when Arthur starts learning more about heir-to-the-throne Gabe. In this fun summer romance, Croucher creates main characters who feel distinctly modern in their dialogue and interactions. They maneuver through the historical setting, including social expectations and limited medical care, in ways that both seem natural and often offer commentary on more current affairs. This is a wonderful expansion of the YA romance genre. Gwen and her family are white, and she is coded queer and demisexual. Arthur is Iranian on his mother’s side and coded gay, as is Gabe. There is additional diversity in the supporting cast.

Frankly a delight. (Historical romance. 13-18)

Pub Date: Nov. 28, 2023

ISBN: 9781250847218

Page Count: 416

Publisher: Wednesday Books

Review Posted Online: July 31, 2023

Kirkus Reviews Issue: Aug. 15, 2023

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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